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S540TS-BK
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| SN: F708189 | YEAR: 1987 | OWNER: Nigel Cook |
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Details & History Firstly an introduction. I
purchased the guitar from Nick at Abbey Road Music in Torquay Devon who
had ordered for me from Ibanez a Joe Sat copy in Black. I waited for some
months before one Saturday morning Nick phoned me to say that it had
arrived. When I got there it was quite obvious it wasn't what I had
ordered but I tried it and took an instant liking to it. Nick charged me a
reasonable amount of pennies for it and off I went. Some months latter
Nick phoned me one evening explaining that somebody from Ibanez had
contacted him to find out what had happened to the guitar and wanted to
know if he could retrieve it, obviously I kept it as I was actively
gigging with it. Once I settled down and had my first child I sold off all
my gear and forgot all about the Ibanez as it was left in my fathers loft.
It wasn't until recently during a clear out that my father asked whether I
wanted it or should he through it away. I said I would pick it up and keep
it for Jack my son. Now for Rich's Reply.
I remember seeing this guitar
(or one much like it) at our annual meeting for new models in Nagoya at
the Hoshino Gakki office at the end of 1986. Every year, the Japanese
guitar staff (Fritz Katoh and Chuck Fukagawa at the time) would have
Fujigen make up a couple of dozen “what if” protos to show to the
worldwide Ibanez divisions to see if they want to order them for the
coming year. The US passed on this model. I don’t know if the Asian or
European markets bought any. The Japanese serial number makes me wonder if
this was a proto, or if some were actually produced for the domestic
Japanese market. I took a close look at the pickup- It seems like a
thrown-together affair, as the extra coil is simply a special single coil
sitting on its own mounting screws. Some of the 3-coil Ibanez pickups were
made as 3 coils on a single metal plate and mounted as one huge pickup. I
wish I could see the 3-coil pickup mounting ring more clearly- On protos,
the ring would most likely not be mould-made. Someone would have
hand-fabricated the first few. The ring does look, from the top at least, like someone handmade it. The only real way to tell would be to remove the pickup from the guitar, flip the ring over and look for machining or mould marks. If this ring is in fact a handmade one, then the guitar would be from the Show & Tell session in late ’86 in Nagoya, as I thought. DiMarzio remembers making that special single coil for these guitars, but doesn’t recall if the run was large enough to go into a full production run of guitars or not.
If anyone
has any further information on this guitar, Please let me know. |
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